Hey, look! A thing.

thebeginingofthebefore:

thisisnotpsychology:

• What Will Your Character Do When Disaster Strikes?
  by Carolyn Kaufman, PsyD
• Characterization and Conflict: Using Psychological Tests to Improve Your Writing
  by Carolyn Kaufman, PsyD
• Gathering Information from Characters: Types of Questions
  by JJ Cooper 
• Using Body Language in Writing
  by JJ Cooper
• Body Language Cheat Sheet
  by Carolyn Kaufman, PsyD

USING ARCHETYPES IN YOUR STORIES

• A Primer on Archetypes and the Collective Unconscious
  by Carolyn Kaufman, PsyD

Writing Better Romantic Relationships

This series looks at the Anima/Animus archetype, which is most often seen in romantic relationships, and how to use it to create more compelling romantic relationships, regardless of genre. Looks at what the anima and animus are, how they’re formed, and why fiction writers need to understand them. There’s also some and what makes love grow - and how happily ever afters really work.

• Creating Riveting Romances: The Anima/Animus Archetype Defined
  by Carolyn Kaufman, PsyD
• Writing Romance: Three Influences on the Anima/Animus Archetype
  by Carolyn Kaufman, PsyD
• The Perfect Hero and the Perfect Heroine: Dark and Light Sides of the Anima & Animus
  by Carolyn Kaufman, PsyD
• What Does it Really Take to Live Happily Ever After?
  A look at the psychological research on what makes or breaks romantic relationships. - by Carolyn Kaufman, PsyD

Creating Better Antagonists

• Three-Dimensional Villains: Finding Your Character’s Shadow
  Using Jungian archetypes and hands-on exercises, this article teaches fiction writers to tap their own dark sides to create realistic villains who will really challenge the hero/es and keep tension high. - by Carolyn Kaufman, PsyD

• The Other in Fiction: Creating Wonderfully Wicked Villains
  The kinds of villains that keep us riveted to a story tap the darkest aspects of the human heart; learn about what those aspects are and how to use them in your fiction. - by Carolyn Kaufman, PsyD

FORENSIC PSYCHOLOGY

• Basic Information on Forensic Science by Juan Salvo
• The Truth about Forensic Psychology by Lisa Featherston

archetypewriting.com

yes. everyone read this. everyone.

jumpingjacktrash:

let me just start by putting this on the table so we can all see it:

the way literature and creative writing are taught in schools is completely and totally wrong.

it is. it’s fucked up. it’s backwards. now, to be fair, i don’t have an alternate suggestion for schools. i’m not school guy. but i do have an alternate suggestion for writers, and it begins with looking back on everything you learned in those classes, and throwing it the fuck out.

Read More

ilovereadingandwriting:

1. Write.
2. Put one word after another. Find the right word, put it down.
3. Finish what you’re writing. Whatever you have to do to finish it, finish it.
4. Put it aside. Read it pretending you’ve never read it before. Show it to friends whose opinion you respect and who like the kind of thing that this is.
5. Remember: when people tell you something’s wrong or doesn’t work for them, they are almost always right. When they tell you exactly what they think is wrong and how to fix it, they are almost always wrong.
6. Fix it. Remember that, sooner or later, before it ever reaches perfection, you will have to let it go and move on and start to write the next thing. Perfection is like chasing the horizon. Keep moving.
7. Laugh at your own jokes.
8. The main rule of writing is that if you do it with enough assurance and confidence, you’re allowed to do whatever you like. (That may be a rule for life as well as for writing. But it’s definitely true for writing.) So write your story as it needs to be written. Write it honestly, and tell it as best you can. I’m not sure that there are any other rules. Not ones that matter.